![]() Written by Ted Griffin and directed by Steven Soderbergh, the Ocean’s Eleven remake was cool, fun, energetic, and had more stars than could reasonably fit on a poster. In short, characters in a heist movie are figures audiences can admire on the screen.Īnd perhaps the biggest reason the heist film has continued to endure to this day has to do with a 2001 film called Ocean’s Eleven, which represented everything that’s good about the form. They’re problem solvers, usually smarter than the audiences they’re daring to keep up. They have a clear goal, often one with a higher significance. In the movies, the characters pulling off these daring acts of grand theft aren’t just gimme-your-wallet punks, but something more elevated. Yet the heist movie lasted for a variety of reasons, not least of all the fact that the template itself is alluring. (This weekend, in fact, sees the release of King of Thieves).īut it wasn’t easy: Over the last two decades, studio output evolved, homogenized, and pushed mid-market adult fare like crime and romance toward extinction. It’s why the format has survived and thrived well into the 21st century. ![]() Heist movies have suspense, stakes, and conflict baked into the structure. There’s always going to be something compelling about a crew pulling off an elaborate theft onscreen.
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